The plot points consist largely of seemingly mundane moments between Mason and his family, including his divorced parents, Olivia (Patricia Arquette, who won the Best Supporting Actress Oscar for the role) and Mason Sr. Ellar Coltrane plays the film's protagonist, Mason, through the ages of six to 18. The film was shot over a 12-year span, beginning in 2001, in order to depict a hyper-realistic portrayal of growing up. The New York Times lauded its utilization of the "boorish but fascinating pastime of peeking into other people's homes" as a "tense and exciting exercise." Whatever gets your pick for the strongest element of the film - whether it's the direction, the writing, or the acting - the verdict is clear: Rear Window is a must-see. Hitchcock, never forgets that what people want most is a spine-chilling climax." Along with Hitchcock, the script (written by John Michael Hayes) receives its fair share of admiration. Most of this film's acclaim goes directly to Hitchcock, who is praised for his ability to make the viewer feel "titillated, horrified, and, ultimately, purged." At the time of Rear Window's premiere in 1954, the Boston Globe wrote "The story is told with tricks and intricate technique, but the mystery magician, Mr. Jeff decides to attempt to solve the crime himself, with help from his girlfriend Lisa (Gracy Kelly) and his nurse Stella (Thelma Ritter), To pass the time he watches his neighbors, leading him to see what he believes to be a murder. "Jeff" Jefferies (James Stewart), a newspaper photographer laid up with a broken leg. One of acclaimed filmmaker Alfred Hitchcock's dozens of directorial credits, Rear Window follows L.B. Here is a breakdown of the mere eight films that do have that sought after perfect score. However, while these films come very close, none of them have a perfect Metascore. There are a plethora of films with coveted prestige surrounding them - Rosemary's Baby, Taxi Driver, or, more recently, Moonlight and Parasite. Metacritic collects reviews from an assortment of publications and critics, giving each a rating and then calculating a collected average - the result is the Metascore, a number from 1 to 100, which represents the merit of a film.Īccording to their database, there are just eight films in existence that are "perfect," meaning they have a Metascore of 100. That's where sites like Metacritic come in - by aggregating a collection of expert opinions, they can present users with a consensus that's often more reliable than the word of a single critic. The idea of a "perfect" film may seem a bit too conceptual to be plausible after all, everyone has a different opinion, making it difficult for one film to be collectively and objectively deemed as without flaw.
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