![]() ![]() ![]() Gibson guitars sunburst colors crack#Mandolin builders seem to collaborate nicely as they try to crack the secrets of Loyd Loar’s instruments. I was not aware of any guitar makers who are currently doing these types of sunbursts, but quite a few mandolin makers are doing them. As I don’t spray my finishes, this seemed like the ideal way for me to proceed. This is the way that Gibson did their sunburst in their early days, presumably rubbing the stains into the wood with a rag, then applying varnish over the top. I found out that the sunbursts that I really preferred were done the first way, by applying the colors directly into the wood, staining the wood itself rather than the finish. ![]() Another is to tint the finish and blend the colors with a spray gun, so the color is in the finish, rather than in the wood. One is to stain the wood directly, either rubbing the stain in with a rag or spraying the stain onto the wood. This was an incredible finish and I wanted to try my hand at it.Īs I started to look into sunbursts I realized that there were a few different ways to do them. Though mandolins aren’t what I build, I often look to them for inspiration and new ideas. That all changed one day when I walked into my local music shop, Spruce Tree Music, and saw a very beautiful 1924 Gibson F-4 mandolin with a sunburst that delicately blended from yellow to red. I haven’t seen many old Gibsons in the flesh, and have come to these conclusions from looking at photos. After Orville left, they still did things the way that he did them and they still got great results. For the most part, the bursts I like are the very early ones, especially early Gibsons, when Orville still had his hands in things and they were still “The Gibson”. ![]()
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